![]() UNIDENTIFIED ACTOR: (As Unidentified Person) So it's now in your interest to make sure that these prisons remain filled. Your companies have invested millions of dollars into building privately owned prisons, and your positions of influence in the music industry can actually impact the profitability of these investments.ĬARMICHAEL: Now, at this point, the writer says everybody in the room looked at each other in confusion. UNIDENTIFIED ACTOR: (As Unidentified Person, clearing throat) I'd like to share a very exciting opportunity with you all. MADDEN: He might have sounded something like this. ![]() MADDEN: But soon after everybody gathered, a man who only introduced himself by his first name started pitching the room. MADDEN: That unsigned letter claimed to document a secret meeting back in the 1990s that joined two of America's most powerful forces - the music industry and the prison industrial complex.ĬARMICHAEL: It described a closed-door meeting with a small group of industry insiders held at a private residence on the outskirts of LA.ĬARMICHAEL: Now, the writer of the letter, he didn't know exactly why he was invited there at first. (SOUNDBITE OF KEYBOARD KEY CLICKING, WHOOSH SOUND EFFECT) And Mobb Deep’s Prodigy delivers on the threat with his astonishing first verse: “Rock you in your face, stab your brain with your nose bone…” It’s the kind of thing that should get you locked up for life.Heads up before we begin - this podcast is explicit in every way.īack in the spring of 2012, somebody took the time to generate a Gmail account - username, John Smith the address, They composed the message with the subject line The Secret Meeting That Changed Rap Music and Destroyed a Generation and on April 24 at 1:30 p.m., hit send. It’s the sound of a looming threat that could exist in any era. II” so timeless is that it’s also somewhat generic. II,” Mobb Deep’s Havoc combined three equally mercurial jazz samples: Herbie Hancock’s “Jessica,” “Daly-Wilson Big Band’s “Dirty Feet” and Quincy Jones “Kitty With The Bent Frame.” The songs are so obscure (at least to hip hop fans), their presence in the track remained somewhat of a mystery for a decade and a half. ![]() II.” That slow drum beat and those sirens seemingly ripped out of a horror film. There’s something immediately terrifying about “Shook Ones, Pt. ![]()
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